Westfield spreads the LOVE

Now we know the name Katie Grand probably means diddly squat to the average Australian punter and, notably, the hordes of shoppers that Westfield is no doubt hoping will invade its gleaming new Pitt Street Mall development tonight for Vogue Australia's Fashion's Night Out festivities. But since frockwriter believes we left the punters behind when we were blogging for smh.com.au and news.com.au and we now have a hardcore fashion audience that knows its shit, we thought our readers would get a chuckle out of this first look at a new magazine that the world's largest listed shopping mall developer is handing out tonight in Sydney. Behold the cover of the first issue of the Westfield magazine, 100,000 copies of which have been published for Westfield by, amusingly, Vogue rival, ACP Custom Media.

LOVE in the time of dysmorphia

Frockwriter thought it seemed a little odd that Britain's Love magazine removed last Tuesday's shot of Australasian model Catherine McNeil from its Twitter feed. Originally published on the Condé Nast-owned magazine's TwitPic account (a photo hosting service connected to Twitter), together with the caption "Catherine McNeil is back!", the Tweet was nowhere to be found on Thursday. Coincidentally, earlier that day, we had published the original - apparently unretouched - series of digital shots of McNeil that were taken by McNeil's New York agency, Ford Models - and which had been supplied to Love earlier in the week. But while the shot slipped off Love's Twitter feed, the image had already been reposted by several web forums and blogs, including frockwriter and remains cached on Google images. Oh, and Love also neglected to remove it from the magazine's separate TwitPic feed. What's problematic about this shot? Could it have anything to do with the fact that a quick comparison of the two images suggests some Photoshop magic has been worked on McNeil's left arm? The version published by Love is on the left, above, with the original on the right.