Westfield spreads the LOVE

Now we know the name Katie Grand probably means diddly squat to the average Australian punter and, notably, the hordes of shoppers that Westfield is no doubt hoping will invade its gleaming new Pitt Street Mall development tonight for Vogue Australia's Fashion's Night Out festivities. But since frockwriter believes we left the punters behind when we were blogging for smh.com.au and news.com.au and we now have a hardcore fashion audience that knows its shit, we thought our readers would get a chuckle out of this first look at a new magazine that the world's largest listed shopping mall developer is handing out tonight in Sydney. Behold the cover of the first issue of the Westfield magazine, 100,000 copies of which have been published for Westfield by, amusingly, Vogue rival, ACP Custom Media.

LOVE in the time of dysmorphia

Frockwriter thought it seemed a little odd that Britain's Love magazine removed last Tuesday's shot of Australasian model Catherine McNeil from its Twitter feed. Originally published on the Condé Nast-owned magazine's TwitPic account (a photo hosting service connected to Twitter), together with the caption "Catherine McNeil is back!", the Tweet was nowhere to be found on Thursday. Coincidentally, earlier that day, we had published the original - apparently unretouched - series of digital shots of McNeil that were taken by McNeil's New York agency, Ford Models - and which had been supplied to Love earlier in the week. But while the shot slipped off Love's Twitter feed, the image had already been reposted by several web forums and blogs, including frockwriter and remains cached on Google images. Oh, and Love also neglected to remove it from the magazine's separate TwitPic feed. What's problematic about this shot? Could it have anything to do with the fact that a quick comparison of the two images suggests some Photoshop magic has been worked on McNeil's left arm? The version published by Love is on the left, above, with the original on the right. 

"Catherine McNeil is iconic for her generation" - Doll Wright

ford models

Well at least one mystery has been solved regarding Catherine McNeil - one of Australia's best-known modelling exports who has been on a bit of a self-imposed career hiatus for much of the past year and who, as it now emerges, also boasts New Zealand citizenship and travels on a Kiwi passport. The photo of McNeil that was Tweeted two days ago by Britain's Love magazine, together with the caption "Catherine McNeil is back!", was not part of any upcoming photoshoot for the magazine, but one of a handful of new digital shots of McNeil that have just been taken by McNeil's new New York management, Ford Models (curiously, the shot appears to have now been removed by Love). Here are the rest, supplied by Ford, which contacted us overnight for a little damage control, presumably not terribly happy with Timo Weiland's unfortunate Twitter shot of McNeil that we published yesterday. But while Love has yet to book her, newly-minted Ford Models agent Doll Wright tells frockwriter that McNeil has just shot 25 pages with a major photographer for a major international fashion title. 

Catherine McNeil is a Kiwi

timo weiland's twitter

Catherine McNeil is one of Australia's best-known modelling exports. The winner of the 2003 Girlfriend Model Search, at age 14, McNeil debuted on models.com's prestigious Top 50 Women list at number 26 in early 2007, the year her international career was springboarded via covers of both Vogue Paris and the American V Magazine. But who knew McNeil also had New Zealand citizenship? Apparently not even some in her Australian mother agency, Chic Management, until frockwriter's phone call this afternoon enquiring about an image of McNeil that was just taken by New York-based designer Timo Weiland and published on Twitter. In the rather unflattering shot, a cigarette dangling from her lips, McNeil is holding what looks to be a bottle of Corona beer in one hand and a New Zealand passport in the other. The Brisbane suburb of Coopers Plains is clearly stated as her place of birth, which would give McNeil automatic Australian citizenship by birthright - although that said, due to changes to Australia's citizenship legislation in 1986, only if one parent was an Australian citizen or had permanent residency. According to Chic Management, McNeil's maternal grandmother is a Kiwi and McNeil's mother spent many years living in New Zealand. We await further information.