Gail Elliott's Little Joe to make its runway debut at RAFW - possibly christened by Cindy Crawford and Yasmin Le Bon

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vogue.co.uk

We have just seen Elle Macpherson, Kristen McMenamy, Stella Tennant and Kristy Hume return to the runway. Could their '80s/'90s catwalk colleagues Gail Elliott, Cindy Crawford and Yasmin Le Bon be about to follow suit at Rosemount Australian Fashion Week? There's definitely a chance. Frockwriter can reveal that Sydney-based Elliott is planning to show her Little Joe label at the upcoming Sydney event, which will run from May 3-7 at the Overseas Passenger Terminal. At Tuesday's Calvin Klein dinner in Sydney, Elliott's husband and business partner, Joe Coffey, told frockwriter that they have locked in a show for 12.00pm on Tuesday May 4th in the largest venue. When asked if Crawford and Le Bon might fly down to support their mate on the runway, he replied that discussions are underway. Elliott would most likely only appear in the show if Crawford and Le Bon turn up, said Coffey. The show will mark not only the eight year-old label's runway debut, but its return to wholesaling after a hiatus, during which the duo concentrated on strengthening their Australian store network, which now stands at six.

The supermod trio modelled together and have remained close friends.

Christensen and Le Bon were both bridesmaids at Elliott's 1997 wedding to Coffey in New York and appear on the Little Joe website with Elliott, wearing Little Joe.

And Crawford has lent her star power to promote Elliott's label on at least one other occasion:

Calvin Klein's ice breaker

Just got back from a second Calvin Klein dinner in almost as many days. Downunder to talk at the L'Oréal Melbourne Fashion Festival's Business Seminar on Friday, Calvin Klein Collection women's creative director Francisco Costa (above) and the company's executive vice president global communications, Sydney-bred Malcolm Carfrae, have been busy entertaining. First there was Sunday night's dinner down in Melbourne (here is WWD's report - FYI it was Marie Claire Australia editor Jackie Frank leading the "skull!" chorus). Then last night's dinner at Sydney's Coco Republic to launch Calvin Klein Home furniture, with Calvin Klein Home creative director Amy Mellen. Earlier in the day, the trio chilled out at Bondi, lunching at the iconic Icebergs restaurant, before taking a dip in the ocean, during which they were joined by a pod of dolphins. Costa reports he wore boardshorts - and not the budgie smugglers that he purchased on the weekend at the Middle Brighton Baths just outside Melbourne. Costa chose a pair with the word "ICEBERGERS" emblazoned across the derrière, named after the sea baths' year-round "Icebergers" swimming club. Not to be confused with Bondi's near century-old Icebergs swimming club over which the Icebergs restaurant was built.

Gail Reid bound for Roberto Cavalli?

Well so Reid told me last night at the L'Oréal Melbourne Fashion Festival opening ceremony, that was staged inside the Victorian Italianate splendour of the state ballroom of Melbourne's Government House - a whisper of which is visible in the background of this shot. No, there are apparently no plans to discontinue Reid's Gail Sorronda label. Reid reports she is planning to commute between her Paris base and Cavalli's Florence headquarters as a contracted freelance consultant. A gig that would no doubt do wonders for her cashflow, not to mention provide an invaluable insight into the machinations of a major European fashion house.

A chat with Michael Angel

This blog has talked about New York-based Australian designer Michael Angel on several occasions. First, when his collection popped up in US Vogue, before there was a peep out of its Australian counterpart (which has yet to cover his work, reports Angel). Then we interviewed him via phone backstage, moments before he opened New York Fashion Week. Frockwriter just returned from a Calvin Klein dinner at Cutler & Co in Gertrude Street, Fitzroy, where we finally got to meet Angel in person. Calvin Klein Collection designer Francisco Costa and the company's head of communications, Malcolm Carfrae, will both talk at the L'Oréal Melbourne Fashion Festival's Business Seminar on Friday. Later today, Angel will take part in something called the Designer Forum. Here's a preview of a few points he will be discussing. The only quiet place we could find was the loo - hence the dim lighting - so we locked ourselves in one cubicle and filmed away.

LMFF, Refinery 29 downunder and Sonny Vandevelde comes of Age

It's a busy week next week. On Sunday frockwriter will be down in Melbourne for the opening of the L'Oreal Melbourne Fashion Festival. On Wednesday 17th, we will have the honour of moderating the Sydney presentation by Refinery 29 co-founders, the New York-based Philippe Von Borries and Piera Gelardi. Staged at the Museum of Sydney and organised by Melbourne digital outfit Portable, it’s one of three Australian talks the duo will deliver over the next seven days, providing an insight into what went into building one of the web’s hottest indie fashion sites. Tonight they will be in Brisbane and on the 18th, Melbourne. Then on Friday 19th frockwriter will be back down in Melbourne, where we will also have the honour of opening the first Australian exhibition of our buddy, Belgralian backstage snapper Sonny Vandevelde at Mars Gallery.

The exhibition's soft opening is this Saturday and it runs until March 28th, so check it out if you are in town.

Now a regular contributor to the online entity of The New York Times' fashion magazine T (among many other publications), just last week Sonny was thrilled to find several of his shots being used on the site's homepage to flag its Fall/Winter 2010/2011 coverage.

Sonny already knows he is the focus of an upcoming feature in the Melbourne broadsheet The Age, penned by fashion editor Jan Breen Burns - which will in fact be the first mainstream Australian media profile of his work.

What he doesn’t yet know is that he is in fact tomorrw's cover story of the paper's A2 arts supplement. Above is a sneak peek at the A2 cover which features one of his shots. Buy the paper to read how this Sydney surfie became one of the best backstage photographers in the world. We'll update with a link once the story goes online (and voilà).

Elle Macpherson closes Louis Vuitton

louis vuitton FW1011/getty via daylife


Well we can add Elle Macpherson to the list of Australian models walking in Fall/Winter 2010/2011. Returning to the runway after what frockwriter estimates could be a 20 year hiatus (the last time we recall seeing Macpherson on a catwalk was the Bicentennial Wool Collection in Sydney in 1988), she closed Louis Vuitton's 1950s-nosed collection yesterday in Paris. Although not technically the last show of the season - that was Miu Miu last night - it was a fascinating climax to a season marked by its interesting show casting. Much has been made of the "curvier" models on show alongside the stock standard teenage skeletors, even though the Victoria's Secret Angels who appeared at Prada and Balenciaga are still whippet thin. But the choice of 46 year-old Macpherson, after Calvin Klein cast fortysomethings Kristen McMenamy and Stella Tennant, alongside 33 year-old Kirsty Hume in New York, with McMenamy also showing up at Viktor & Rolf last weekend, seems more a victory for the older woman, than her curvier cousin.

From Churchill to Cassi-Gate, insulting the French is "nothing new" - The Times of London

After last week's post about Cassi van den Dungen's ill-fated Paris Fashion Week trip, where hasn't the story appeared? First The Sunday Telegraph, then The Melbourne Herald Sun, The Brisbane Courier Mail and Ninemsn.com.au. Yesterday, Seven Network's Morning Show devoted an entire panel discussion to the subject, with The Herald Sun's Luke Dennehy - who apparently "broke the story" - crossing live from Melbourne to anchors Kylie Gillies and Larry Emdur and fashion commentator Melissa Hoyer, to discuss van den Dungen's Facebook rant against "frog eaters" and "snail slurpers" - as if it was an international incident (see below). Even the UK Telegraph picked it up.

Alexander McQueen's final collection saluted in camera by "all who loved him"

WWD twitter


Frockwriter predicted that an Alexander McQueen show would go on in Paris on March 9th. It concluded several hours ago. Perhaps not on the original scale planned by McQueen prior to his death on February 11th, but in its place, a sobre, dignified presentation of just 15 showpieces in a gilded salon, according to WWD, which uploaded one shot to Twitter. At time of writing it had been viewed over 3,000 times. Although you can see photographers in the background, it is unclear if they were working for the house. Reportedly, the latter is due to supply press images, with all other photographers banned. Update: Here are 11 of the (in fact)16 looks. Which is not dissimilar to the way the Paris fashion show system used to work way back in the mid 20th century. A second presentation will, by all accounts, take place tomorrow, the final day of the FW1011 season, which commenced with the terrible news of McQueen's suicide. In closing, frockwriter would just like to share the following comment which was left on our original post yesterday. It’s anonymous, so obviously we have no idea about the identity of its author. But we would like to believe that it was genuinely one of McQueen's colleagues:

“I have worked with Alexander McQueen for 10 years. Out of respect for the man, the person, and all of those who are still trying to come to terms with Lee's untimely demise, the brand will not be putting on a blow out catwalk show, but will indeed present the collection (which was indeed already cut and finished) in a very intimate setting as it is sure to be emotional for all who loved him. The brand will go on, not in Gucci's bid to cash in, but as all of us who had the joy and pleasure of working with Lee remain committed to building our brand, and carrying on his legacy.”

Hollywood's risk takers

reuters via daylife

Just a couple of personal favourites from last night's Oscars. Most of which, frockwriter notes, are already turning up on worst-dressed lists. In a sea of safe, so-so goddess gowns and meringues, however, we applaud their bravura: Charlize Theron, Zoe Saldana and Sarah Jessica Parker in haute couture, respectively Christian Dior, Givenchy and Chanel. Then there was Nicole Richie's quicksilver boho de luxe gown by Lebanese American designer Reem Acra. And the statuesque Kathryn Bigelow, who looked striking in her gunmetal Yves Saint Laurent sheath. Although the latter design was far more conservative than that of Theron and co, when you are the first woman in 82 years to be awarded a Best Director Oscar, who needs haute couture?







all images: daylife

sarah jessica parker/getty
nicole richie/getty
zoe saldana/AP
charlize theron/reuters

Viktor & Rolf's Freaky Saturday

Alexander McQueen might be gone, but we still have a a couple of showmen/women left, Viktor Horsting and Rolf Snoeren at the top of the list. The Dutch duo is renowned for the theatricality of its shows (which frequently upstage the actual collections). Some experiments have gone wrong – a case in point the Fall Winter 2007/2008 show from three years ago, in which models were forced to walk the runway in bizarre metal light rig harnesses. Noone ate the catwalk and just as well, as they could have seriously injured themselves. The duo was subsequently widely accused of misogyny (a common criticism of McQueen). Here is the post I did from that show from Paris for smh.com.au. No such criticism of Saturday’s show, which is being billed as one of the best of the season, if not the best.

The collection, called ‘Glamour Factory’, was set against a monchromatic backdrop painted with graphics of industrial cogs.

The predominantly black and grey collection would most likely have passed largely unnoticed had it not been for the clever staging, which starred 43 year-old American model Kristen McMenamy in her second runway outing this season, after Calvin Klein's show in New York three weeks ago.

McMenamy wore 23 looks. All at once.

Piled, Russian doll-like, under layers of coats and dresses, she walked to a rotating disc in the middle of the runway and stood there like a store mannequin, while the designers peeled off the layers right down to a nude-coloured corset.

As the duo undressed McMenamy, they dressed each of the remainder of the model cast – every last one of them, as per usual, young enough to be McMenamy's daughter - in her discarded clothes. Think Jamie Lee Curtis and Lindsay Lohan in Freaky Friday, just swapping sporty fur-lined anoraks, tweed boyfriend jackets and bodysuits, satin smoking jackets and LBDs, instead of minds.

By all accounts, McMenamy was re-dressed in the garments as the models returned from their turns on the runway.

The climax was delivered by way of a giant panniered skirt which was inverted and transformed on McMenamy via a drawstring, to a cape with a behemoth Elizabethan collar.

You had to be there obviously. But for everyone who wasn’t, the above video gives a taste. Here is the entire collection in photos.

Needless to say, no backstage dressers were required.