Abbey Lee Kershaw - shoe drama queen

lanvin SS11 via style.com

Budding actor and soon-to-be-co-star of Mad Max: Fury Road Abbey Lee Kershaw has been taking a year-long sabbatical from the modelling world, but is about to re-emerge on the fashion stage according to her finance broker father Kim Kershaw - who is now, amusingly, also acting as her 'mother' agent in Australia. Earlier this year, Abbey Lee ditched Chic Management due to what we have on good authority was a dispute over Chic's 'mother agency' fee. That's the fee (generally 10-15percent) that a model's home market agent pockets on all future earnings in all markets, on top of booking agents fees. But Abbey Lee has not been far from the thoughts of her fans. Case in point, some behind-the-scenes footage that has just surfaced from the Lanvin Spring/Summer 2011 runway show in Paris, shot all the way back in October 2010. Kershaw's fans over at The Fashion Spot have reportedly been agog over one scene showing Kershaw in tears following a dressing down by Lanvin creative director Alber Elbaz, after he observed what he describes as her "almost drunk" walk during a show rehearsal, wearing a perilous pair of Lanvin stilettos. The footage is from the Spring/Summer 2011 edition of the bi-annual French Habillé (e) s Pour documentary series by Loïc Prigent and Agnès Boulard. Originally broadcast in France in November 2010, it seems the episode recently screened on the Cinémoi North American cable channel, with the Lanvin excerpt subsequently uploaded to Vimeo by a fan. 

If the shoe fits

andrej pejic models chris benz SS12 via sight management studio

We all talk – a great deal – about the sizes of the bodies of fashion models. The sizes of their feet, however, rarely come up for discussion. What an interesting topic of conversation it proved to be when we puffed this week's Anmari Botha post on both frockwriter’s and my personal Facebook pages, using one of Botha’s IMG Models showcards as an illustration – and her published shoe size, "7.5", sparked a raft of comments. “How does a 5’11” woman have such small feet?!” asked Sydney-based media trainer Shauna Stafford. Another noted, “Most women that size would have size nine or ten feet”. While a former magazine maven chimed in, “Your basic nightmare. Perfect” – referring, we assume, to the dearth of “unusual” shoe sizes in the fashion cupboard of a typical magazine.

Hot fuzz

céline SS2013 via style.com

During the 2012 London Olympics Nike managed to ambush adidas, the event’s official sports apparel marketing partner, with an 18-strong collection of neon yellow trainers that looked to be on every second athlete in the track and field events. With shoes classified as equipment, athletes were free to choose their brand. The Spring/Summer 2013 show season is of course a totally different animal to the Summer Olympics. And yet, based on some early reactions, it seems that another neon yellow shoe may be hijacking more than its fair share of coverage here: Céline’s mink pump.

On with the shoe: Kathryn Wilson's showgirls put their best feet forward at New Zealand Fashion Week

kathryn wilson AW11 backstage/kent vaughan

A runway show dedicated exclusively to footwear is always going to be a tough call. Terry Biviano did it in 2003 and 2004 at Australian Fashion Week by teaming up with show producer extraordinaire Tony Assness, who created some of the most memorable shows that the event had ever witnessed. But while Biviano put the focus on her shoes by initially teaming the footwear with nude-coloured corsets and silk parachutes (later going over the top with horses, contortionists and bird suits, as you do), NZ's Kathryn Wilson kept her debut show dead simple by putting her girls in black leotards and dispatching them onto a raised catwalk. Precariously navigating back down the stairs in their skyscraper heels and booties - as so well documented by Kent throughout the show – there seemed to be more than a little Broadway musical going on backstage. I really couldn’t resist putting a selection of shots to some music to create this slideshow below. 

Julia Nobis has big feet

Yes we know she has a huge future ahead of her. A Calvin Klein exclusive at New York Fashion Week will do that for you. But apparently Australia's hottest new modelling face, Julia Nobis, also has rather large feet - US size 11 according to her Sydney mother agency Priscillas (or a US size 12 according to other sources, with some suggestion her shoe size might have precluded her being cast in some FW1011 shows). So big, that Calvin Klein was obliged to make up some custom fit shoes for her to wear for its February 18th show, according to Calvin Klein. Above is a shot of Nobis' dress rack, from backstage footage filmed by Today Tonight, showing her two changes of footwear for the show.

McQueen's shoes weren't made for walking, but that's just what they'll do on March 9

alexander mcqueen ss10/style.com

Did we or did we not say that Alexander McQueen's Fall/Winter 2010/2011 show in Paris remains locked into the (constantly updated) Paris Fashion Week schedule - suggesting that the show will definitely be going ahead? (UPDATE: since removed from schedule. UPDATE: Nevertheless since confirmed by a company spokeswoman to take place on March 9). And that the production of showpieces specifically commissioned by McQueen for the presentation before his February 11th death, continues unabated? We did. And voilà, comes word today from Gucci Group chief executive Robert Polet via WWD that a McQueen collection will definitely be presented during Paris Fashion Week. The exact format of the presentation, however, remains unclear. Frockwriter can tell you a little bit more about those showpieces currently in production. We're talking shoes. McQueen and co, we hear, were so thrilled with the publicity generated by the Armadillos (above) and Geiger-inspired footwear from Spring/Summer 2010 (even though it terrified some models) that he designed/ordered some equally extreme footwear. Too bad he won't be around to see the final results.

Gaga outbuzzes MObama as fashion's hottest term

getty via daylife


Has there been a fashion force to match Lady Gaga? In terms of outrageous performance factor, surely few have come close. Interesting to see therefore that she just displaced Michelle Obama on Global Language Monitor’s brand new 2010 Fashion Buzzwords list as the fashion world’s most buzzed-about name. Here’s a first look at the yet-to-be-published annual list, which kicks off with Lady Gaga – with MObama dropping to 15th position, down 13 spots from last year. Also of note, “no pants” in third place, which of course go hand in hand, or rather, leg in leg, with Gaga. Frockwriter did have to chuckle at Armadillos coming in at number 10. Some might recall the recent controversy in which Alexander McQueen's extreme shoes recently found themselves mired. Global Language Monitor is an an Austin, Texas-based not-for-profit which tracks and analyses language. Nominated by the global fashion media (including this journalist) the buzzwords were then run through GLM’s "Predictive Quantities Index", a proprietary algorithm that tracks words and phrases in print, electronic and online media. Here's the list.

"1. Lady Gaga - Enigmatic performance artist has had outsized impact on the world of fashion.

2. Leggins 2.0 – Flourishing from Milano to Main Street, leggings are now differentiated as jeggings (jeans + leggings) and meggings (male leggings), and the like.

3. No pants – Hot pants for the 21st Century; not much pant (see Lady GaGa).

4. Off-shoulder – One shoulder and Off-the-shoulder assymetrics are now combined with cutouts, draping, or heritage stylings.

5. Chandeliers - Earrings, that is.

6. Boyfriend (the jacket, jeans etc) – It’s getting to be like an Audrey Hepburn movie out there with boyfriend jackets, jeans and the like.

7. Peek-a-boo – Peek-a-boo fashion is back once again; this time as cutouts.

8. Camo – Camouflage is back, this time with an Urban Jungle vibe.

9. Hippie-luxe – Haute Hippies? That’s the Hippie Luxe movement inspired by the 40th anniversary of that classic New York Daily News headline:  “600,000 Hippies Mired in Mud”.

10. Armadillos – Shaped like a lobster, made of Python, and called Armadillos - the highly controversial sculpted shoe designs of Alexander McQueen.

11. Mixed prints – Mixing various print in sometimes surprising ways:  florals, tropicals, geometrics, polka dots, psychedelics, modernism-inspired, even plaids.

12. Embellishments – Delicate, all, including ruffles, transparency and tulle.

13. Ethical fashion – Echoes of PETA here.  No furs, no armadillos, no leather.

14. Fashion 2.0 - Incorporating streaming techniques that bring designer showcases and shows to the buyers and consumers in real time.

15. MObama – OK, so she wears ‘mom’ jeans, but everyone seems to notice, after all Michelle is The MObama."

Source: Global Language Monitor

McQueen's shoes weren't meant for walking - Abbey Lee Kershaw

daniel jackson for dazed+confused via chic

Had a chat to Abbey Lee Kershaw Monday afternoon while she was working in Sydney. The details of the shoot are yet to be revealed, but I can share one of the more amusing model gossip gems to surface. When talking about how models navigate the runway in increasingly ludicrous designer shoes, we touched on the so-called 'armadillo' shoes from Alexander McQueen's S/S 2010 show (below). Wonder why we didn't see Kershaw, Sasha Pivovarova or Natasha Poly in the show? According to Kershaw, that's because after taking one look at the shoes, the supermod trio convened for a powow and decided to nix it.


alexander mcqueen SS10/style.com

With killer heels already causing one catwalk catastrophe for Kershaw at Rodarte in New York last September, followed by another near miss with similarly extreme shoes in February this year - the latter prompting her to skip the rest of the FW0910 season in order to nurse a knee injury - little wonder she was loathe to take the risk.

And all that's not counting, of course, the too-tight corset at McQueen's SS09 show one year earlier in Paris, in which Kershaw fainted.

Fashion copies - back on the Australian current affairs agenda

As some may already be aware, I am currently working as a producer at a nightly Australian current affairs program called Today Tonight on the Seven Network (which explains my lack of posting of late). It’s a program on which I worked 10 years ago and it’s interesting being back, working on a mix of stories. In terms of fashion stories, it’s been a great opportunity to get some subjects to a much bigger audience than I do on this blog or indeed via the other outlets for which I normally write – try 1.7million per night (including web traffic). On my first day back I broached a couple of story ideas with executive producer Craig McPherson, top of the list being a subject that I have blogged about on several occasions: the fashion industry discriminating against plus-size consumers. Another fashion story aired this week – the rampant plagiarism across Australia's $1.8billion footwear sector.

The genesis for this story idea was a great July post from Australian shoe blogger Matt ‘Imelda’ Jordan. In his post, Jordan discussed a direct copy of a shoe design by London-based Dane Camilla Skovgaard, by Australian mid market shoe manufacturer Tony Bianco.

Most interesting of all: the subsequent tip from Jordan that Tony Bianco had dispatched a series of intimidating legal letters in the hope of obtaining a retraction of some of the claims in the post.

The audacity was breathtaking.

As revealed by Jordan, not only had Tony Bianco done a faithful reproduction of Skovgaard’s signature S8001 sandal – the style which originally made her name – but had even attempted to engineer a fake celebrity endorsement to promote the company's copy.

When launching its “Sexy Roberto” shoe to the Australian fashion press, Tony Bianco sent out US red carpet shots of celebrities Cindy Crawford and Halle Berry in Skovgaard’s originals. There was no mention of Camilla Skovgaard’s name on the mailout.

Tony Bianco’s lawyers seized on several points in Jordan’s post: notably his accusations that Camilla Skovgaard had “unleashed her lawyers” on the company and that Tony Bianco was guilty of “copyright infringement”.

Both were factually incorrect. But the David and Goliath factor made for a great story.

Although Skovgaard did consult lawyers at the time, the only representatives to contact Tony Bianco were from her US PR team.

Having failed to register the design in Australia, moreover, a straight copyright infringement case would have been indefensible.

Due to changes, in 2003, to Australia’s IP legislation, unless a designer has registered each and every design they hope to protect in this market, they are unable to in fact enforce copyright. This is unlike numerous other jurisdictions, for example the EU, where designers have an unregistered design right.

That’s not to say that Skovgaard doesn't have any legal rights here. Sources say that she would probably have little trouble proving “reputation” for the design (make that designs - it later emerged that TB has copied two Camilla Skovgaard shoes this season). The fake celebrity endorsement is a separate matter.

Only problem – she has been told that she's looking at a minumum $50,000 investment to get a case up, with of course no guarantee of success. That's a big ask of a young, independent designer.

All the companies mentioned in the story were of course offered right of reply. Noone took up the offer.

Their respective responses when I called requesting interviews were fascinating. One company even claimed that it had come up with the design in question five years ago.

It is entirely possible that Sportsgirl's Camilla Skovgaard knockoff was even supplied by a manufacturer that was already knocking off her shoe under its own brand, thereby vastly increasing its market. A big return for zero design investment in other words. Sportsgirl declined to identify the supplier of the shoe.

It’s interesting how companies that copy, often seem quite indignant when they're called out on it.

Some $400,000 in court ordered damages has been awarded for design/copyright infringement cases over the past 12 months in cases mounted by Australian companies that have taken advantage of the new Designs Registration Regime and opted to register designs.

The first fashion victory under the new system was Review versus The Discovery Group in March 2008.

Although not working for TT at the time, I was interviewed that month as talent for the program’s story about the Review case. I had the temerity to mention that it wasn’t the first time the company, which owns the Charlie Brown and lili trademarks, had copied others. I provided one example of a devoré velvet poncho with a peacock motif, first shown by New Zealand label Sabatini at New Zealand Fashion Week in September 2004 – and copied six months later by Charlie Brown.

On three previous occasions, I had written about Charlie Brown’s cheaper version of the poncho, which turned up in store the minute the Sabatini poncho appeared on the cover of the Winter 2005 catalogue of Australian department store David Jones and, notably, once word spread that the poncho was walking out the door at DJs.

But Brown had been called out for copying as far back as 1998 - by Marion Hume, then the editor of Vogue Australia.

After I mentioned the Sabatini incident on Today Tonight, Brown also threatened legal action. To date, nought's come of it.

Back in 1995, I wrote a 4,000 word expose on copying in the Australian fashion industry for the now defunct Australian current affairs magazine, The Independent Monthly. It was the year before the launch of Mercedes Australian Fashion Week and the emergence of a new generation of export-focussed designers. Australia was still locked in a culture of so-called "designers" sending international designer samples in to magazines to be photographed (still with the labels attached) while the "designers" were busy manufacturing their copies.

The story kicked off with the infamous anecdote from the Bicentennial Wool Collection at the Sydney Opera House in 1988, for which nine international designers were flown to Sydney, including Sonia Rykiel, Kenzo and the late Gianni Versace and Jean Muir. During rehearsals, Claude Montana had to be physically restrained from clocking Marilyn Said and Barry Taffs - the designers behind the Covers label. Covers had been selected to represent Australia in the show and Montana felt that their collection showed a little too much Montana influence.

Called Fashion Thieves, it was a cover story and it prompted three separate television profiles, including A Current Affair.

That story was the reason I wound up working for A Current Affair for a brief stint in early 1996 - before quickly heading to Today Tonight, where I stayed for three and a half years. I am often being reminded of this story. Several weeks ago Oyster’s Alyx Gorman drew my attention to the fact that it’s even cited in an article in the Journal of Australian Political Science.

Now I’m back in current affairs tv - still talking about copying. Because 21 years after the Bicentennial Wool Collection, many Australian companies are still shamelessly copying international designers.

For sure, copying exists everywhere. As the Tom Gunn girls pointed out in their TT interview, the London high street is notorious for quickly turning around catwalk trends. The "fast fashion" retailers Zara, Mango and H&M have revolutionised the business, turning around catwalk trends - although not necessarily one-for-one copies - at lightning speed.

But Australian copycats enjoy several other unique advantages. This was pointed out in a piece to camera in the original script for the TT story, which wound up being cut when we lost two and a half minutes.

There is also our proximity to the Chinese factories, exacerbated by the fact that we are a season behind the northern hemisphere. This means copies can be on shelves before the originals have even arrived.

Kelvin Ho and co in WWD FAST

Click here to download the latest edition of WWD's youth-skewed sportswear mag FAST (you will need Adobe Reader v 9). My Australian content includes a full-page feature on how Kelvin Ho became Australia's premier independent fashion retail architect, designing 13 boutiques for sass & bide and Belinda Seper, with other clients including Willow, Fleur Wood and Terry Biviano (p 28). There are also mini profiles on Chic Management's Kate Budrodeen (p 14), Hotel Bondi Swim (p 22) and Gideon sneakers (p 58) - together with the latest data from the best arbiters of Oz youth stats, LifeLounge.

Killer heels II - Abbey Lee Kershaw bows out of FW0910

gucci FW0910/style.it


Just how dangerous are those skyscraper heels? That’s a question begging to be asked following the news that a knee injury which kept Abbey Lee Kershaw out of New York Fashion Week now dictates that she will skip the season altogether. After being given the all-clear by a doctor to travel to the Milan and Paris legs of FW0910, Kershaw arrived in Milan for castings but lasted a day, unable to negotiate walking in the season's footwear, Chic Management director Kathy Ward told frockwriter. Noted Ward, “She flew to Milan, went to some castings, but she wasn’t ready to walk in high-heeled shoes”.

Ward did not clarify which castings Kershaw attended but one must assume that with four Gucci campaigns under her belt in the past 12 months, Gucci would have been a sure bet this season. Above and below are two closeups of some of the Gucci shoes that Kershaw may have been obliged to wear had she been runway-fit.


gucci FW0910/style.it

According to Ward, Kershaw has had a longstanding problem with her knee ligaments and made the decision to skip New York Fashion Week after an arthroscopic investigation just after Christmas revealed bone fragments.

According to Ward, Kershaw received medical advice that she would be OK to pick up the season at the midway point.

One wonders if Kershaw's orthopedic specialist has sighted some of the extreme footwear in which models have recently been expected to walk - prompting numerous stumbles already this season, notably Monika Jagaciak's spectacular stack in New York.

Given how much publicity the moment's extreme footwear fad has enjoyed - with numerous doctors weighing in on the health risks - it seems surprising that they were not across the story.

Under the circumstances, one has to assume that Kershaw’s catwalk stumble at New York’s Rodarte show last September – not to mention her collapse at the Alexander McQueen show several weeks later, due to a restrictive corset – did not help the situation.

“It could have exacerbated the situation – possibly, I don’t know for sure” noted Ward.

“She hasn’t had a full knee reconstruction - but she needs to rest and get strong again before doing anything else” Ward added. “She’s back in New York. She’ll have to take the season off”.

Prêt-à-Twitter: Barefoot finale @ Brian Reyes

brian reyes FW0910/glamour.com

And for those Antipodians who may have missed this five hours ago while most of us were asleep, here's the barefoot finale at the Brian Reyes show, during which so many girls fell The New York Times' Horacio Silva reckons he lost count. A number of models removed their shoes just so they could make it down the runway one more time. Apparently Manolo Blahnik was the culprit.

A Miu Miu, a Miu Miu - they still all fall down

miu miu SS09/style.com

And there I was, having a SS09 debrief with Oz shoe guru Matt ‘Imelda’ Jordan earlier this afternoon, saying how fascinating it would have been to be a fly on the wall at Prada over the past two weeks. And if, keen to avoid yet more bad press over model stacks in killer heels, Prada might have done an eleventh-hour switch of shoes for the show of its diffusion label Miu Miu. Because dang, how terribly sensible the shoes of last night's Miu Miu show in fact appear to be, by comparison with some of the other footwear monstrosities that we have seen on the past month’s runways. Overlooking the nouveau pauvre-look burlap uppers of course. As it emerges however, what happened to the very last girl modelling the very last look of the very last show of SS09?

According to the testimony of The Guardian’s Hadley Freeman via her virtual Style.com alterego:

“As the last girl was going backstage she yes, fell down onto the catwalk, to many sympathetic gasps. You definitely knew that this was the season of the extreme shoe and I knew at that point that it was time to go home”.

And if that’s not funny enough – in a very macabre way of course – then have a look at Style.com’s just-posted portfolio of runway images from the Miu Miu show.


miu miu's relatively 'sensible' - but apparently still unwearable, SS09 shoes/style.com

If this sequence of images is as per the show, then the very last girl of the Miu Miu show was none other than Russian Yulia Kharlaponova (pictured at the top of this post).

That’s right, the very same girl who famously fell directly in front of the camera pit during last week’s Prada show in Milan – images of whom, AOT on Prada's fish mosaic of a runway floor, wound up splashed over newspapers across the globe.

A lucky escape then for Australia’s Myf Shepherd who was, according to the Style.com images, the fourth last girl in the Miu Miu show.


myf shepherd, miu miu SS09/style.it

Venus of Willen-Dior

christian dior SS09/getty

Ah yes the podiatric peculiarities of SS09 continued with Monday’s just-wrapped Christian Dior show – the most interesting facets of which, at time of filing, appeared to have been its African-inspired hairpieces and shoes. The latter included one curious platform sandal with a sculpted skyscraper heel fashioned from what looked to be an African fertility symbol, complete with swollen belly and breasts. Considering that by all accounts it's not uncommon for runway models to boast such little body fat that they cease menstruating, the irony was possibly not lost on some.



christian dior SS09/getty

Over at Cacharel meanwhile, the half century old French brand’s new creative directors, Mark Eley and Wakako Kishimoto, dispatched a charming collection of highwaisted, wide-legged trouser suits, colour-blocked smocks and sweet printed sundresses.

The finale showcased two rare phenomena: a limited edition of 1970s era Liberty print dresses from the house’s archives - and smiling models (who included, if I’m not mistaken, Australian Sarah Stephens, who must be trying her luck in Paris after all).

You’d probably smile too if you could walk one of this season’s runways barefoot.



Click here to see the complete Christian Dior collection on wwd.com.
Click here to see the complete Cacharel collection on wwd.com.

Isn't Miuccia Prada supposed to be a feminist?

Have a look at the poor model in this video. Yes it’s from Prada, prompting one fashionwatcher (tks Bianca) to suggest, “This is worse than Yulia’s”. This refers of course to the spectacular Prada runway stack, on Tuesday, of up-and-coming Russian model, Yulia Kharlapanova - who has emerged from her sophomore runway season an inadvertent poster victim of fashion misogyny.

Kharlapanova was one of several girls who fell during Prada.

Unlike the others however - and indeed, Abbey Lee Kershaw at New York’s Rodarte show earlier in the month - Kharlapanova conveniently fell in full view of the photographers’ pit and the images went all around the world:


sky

Rodarte and Prada are just two of many runway shows in which models have either stumbled, or fallen, this season.

Yesterday veteran Angela Lindvall, who has been modelling for 12 years, fell twice in the space of five minutes at Pucci.

Lindvall told The UK Telegraph:

"I feel so embarrassed. I've never fallen before and now I go and do it twice in the same show. I don't think the platform soles were balanced properly."

But while many continue to claim that a cabal of gay men rule the fashion world, both the Prada and Rodarte brands, curiously, are designed by women.

One of them – Miuccia Prada – is a political science graduate, a former member of Italy’s Communist Party and a self-avowed feminist, who told The Independent in 2004:

"You know, I had to have a lot of courage to do fashion, because in theory it was the least feminist work possible - and at that time, in the late Seventies, that was very complicated for me. Of course, I liked it a lot but I also wanted to do something more useful."

Like designing crippling shoes for women in which they risk breaking not only their ankles, but their necks?

If Prada’s femdar appears to be in need of a little calibration these days – then let’s hope that at least her public liability policy is up to date.

Oh hai

paris vogue via tfs

Bangalore beauty Lakshmi Menon shot by Mario Testino for October's Paris Vogue. Styling by Carine Roitfeld. Say no more.

I mean we all know that Roitfeld doesn't have to either a/walk the runway or b/walk at all in fact in between shows, thanks to a private driver and town car.


paris vogue via tfs

But look at least size XXXXXXXXXXXXXXXXXXXXXXXL heels have taken the focus off size 0 models for a nanosecond.

Prada says jump - Sachi asks 'How high?'

From Rodarte to Prada to.............Sachi. While we're on the subject of killer heels, these are the culprits from el cheapo Australian shoe brand Sachi which prompted three models to crash and burn on the Auckland runway at last week's Annah Stretton show.

Given Sachi's current season Givenchy gladiator shoe boot knockoff, they were most likely modelled on a luxury brand.

Inside the media centre that afternoon, I did have to laugh when I overheard a publicist say Stretton was utterly mortified to learn that the model stacks dominated post-show dialogue.

Like, they were going to talk about the clothes?


annah stretton AW09/the dominion post

Gladiators of the high-low shoe biz, Myer salutes you!

givenchy backstage, paris, 03/10/07

I thought something looked awfully familiar about the fetish footwear on Myer's runway on Wednesday night. And look, yes I know, every man and his dog has been doing some sort of gladiator shoe or boot of late. It's definitely a trend with, er, legs. One that's been running in fact for several years now.

But something really resonated with me vis-a-vis that specific gladiator shoe boot which appeared in several early sections of the show. Including the opener, Jennifer Hawkins' pretty new Cozi swimwear collection:


news.com.au/charlie brewer

According to the show program (and confirmed by one of the show's stylists) the shoe in question was made by Sachi, the budget Australian shoe brand.

The reason why it looked so familiar was not just because of the omnipresent gladiator trend. There were some quite specific design features.

The heavy ankle cuff with a chunky ankle strap.

The oversized buckle.

The intricate, interwoven straps covering the front of the foot.

The cone heel.

Then I had an epiphany. It started with the letter G.

The Sachi shoe bore an uncanny resemblance to a gladiator shoe boot presented last October in Paris by French luxury brand Givenchy for Spring/Summer 2008:



I had eyeballed the Givenchy shoe, alongside numerous other gladiator boots, at close range backstage during the show.

I photographed the shoes and then blogged a post on Givenchy's gladiator-inspired footwear.




As for the Sachi shoe, you can just see the details in Charlie Brewer's Myer runway pic above. However I managed to find a close-up of what I believe could be the shoe in question on the blog of Oz shoe guru Imelda, who previewed Sachi's SS0809 collection:


imelda

Givenchy’s gladiatorial SS08 shoe collection has proven a celeb hit over the northern summer, snapped on everyone from Gwyneth Paltrow to Charlize Theron and Rihanna.

Outside Australia, Barneys and Shopbop were selling Givenchy's gladiator shoe boot for US$995-1000. According to Imelda, nothing in the Sachi collection is over A$219.95.

Sachi's prices are of course a far cry from those of the European luxury brands which Myer also offers its customers. A case in point Givenchy. Which, funnily enough, Myer also sells.

Even funnier are the following Myer program credits which accompanied other segments of Wednesday's show.

The dresses in the Nevenka and Arabella Ramsay sections were teamed with a "Givenchy demi wedge".

Accompanying Wayne Cooper's white tuxedo suit was a, wait for it:

"Givenchy gladiator flat"